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20 August de 2025
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SXSW 2023 Movie and TV Spherical Up: Recapping the Better of the Fest

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19 de março de 2023

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That’s the story of a faculty pupil named Taylor who discovers throughout her senior 12 months that her face has been digitally copied onto the our bodies of different ladies taking part in pornography. With out her consent, Taylor has been uncovered to revenge porn that turned her right into a “star” on websites like Pornhub and 4Chan. And he or she isn’t alone. Because the documentary unfurls, Taylor quickly discovers that certainly one of her finest mates from freshman 12 months and lots of different acquaintances at her college have additionally been “deepfaked” into porn by the identical particular person. And one of the startling statistics within the doc is that whereas newspapers principally speculate about how deepfake know-how might be used to misrepresent politicians sooner or later, at present 90 p.c of all deepfake content material on the web is non-consensual pornography focusing on ladies. That quantity will solely develop because the tech turns into extra available (there are apparently on-line tutorials for methods to do it by stalking an individual’s IG account).

That is an eye-opening, despairing splash of water at how rising tech has generated only one extra manner for girls to be harassed and abused, and generally in a course of that’s at present permissible by legislation. Taylor, by the by, isn’t the identify of the true lady who was focused. Nonetheless, what’s hanging about One other Physique is that neither she nor many of the different ladies who’re interviewed present their actual faces. The identical deepfake tech that was used to make their lives hell can be used to disguise their options from the troglodytes of the net. Their countenances and names have been modified, however their reality stays unmoved. It’s a primary in documentary filmmaking, so far as I’m conscious, and it acts as yet one more instance of how highly effective this tech can change into, particularly when weaponized. – David Crow

Glenn Howerton in Den of Geek Studio for BlackBerry at SXSW

BlackBerry

I’m sufficiently old to recollect utilizing a BlackBerry a couple of times at an internship, however not fairly so outdated to have ever owned one. And for folk a couple of years youthful, the gadget may as properly belong to the neolithic previous; a relic from the darkish ages earlier than the iPhone. That truth is the key of BlackBerry’s enchantment. As the newest function effort from Matt Johnson (The Dirties, Operation Avalanche), BlackBerry is an introspective consideration on the enterprise and inventive instincts that constructed a tool which briefly modified the world—and was then relegated to the dustbin of historical past barely a decade later.

It’s one other chilly, myopic view of the rising tech enterprise within the twenty first century, however in contrast to, say, The Social Community, this isn’t a few monster reshaping the world; it’s the story of some very shortsighted people who let that energy slip away. The movie stars Jay Baruchel (good) as awkward tech wunderkind Mike Lazaridis and Glenn Howerton (nice) as Jim Balsillie, the type-A boardroom conqueror who basically bullies his manner into changing into Lazaridis’ co-CEO in 1996. Regardless of an disagreeable working relationship, their dynamic pays off handsomely once they launch the world’s first smartphone. It’s fortune and glory within the palm of your hand. At the very least till Apple enters the chat 11 years later.

An typically restrained and understated drama, BlackBerry avoids the interval piece kitsch that the majority films in regards to the latest previous fetishize, as an alternative counting on the timelessness of a battle the place incongruent wills can generally create fleeting greatness. With an typically shaky, handheld and faux-documentarian eye, Johnson lets the characters’ successes and failures communicate for themselves in a film the place the worth of doing enterprise stays elusive. – DC

Cast of Bottoms at Den of Geek Studio in SXSW

Bottoms

In a style outlined by pent-up emotional stresses and triggers, Bottoms lands devastating blows of laughter by being blunt and unafraid to smile via the absurdities of adolescent life—even when meaning revealing damaged tooth and blood dribbling down the chin alongside the way in which. The brainchild of each Seligman and her frequent main girl Rachel Sennott, Bottoms sees the Shiva Child pair reunite, now as co-screenwriters and co-conspirators. Collectively, they plot a subversive assault on coming of age yarns, at the same time as they’ve made a possible cult basic within the type; it’s definitely one of the unique with the setup being about two queer ladies who assume their finest shot at courting cheerleaders is to punch them within the face.

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