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17 August de 2025
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How ‘Name It Love’ explores grey areas of revenge and romantic attraction

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1 de abril de 2023

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Scene from “Call It Love”

Scene from “Name It Love”—images courtesy of Disney+

The Okay-drama sequence “Name It Love,” starring actor-models Lee Sung-kyoung (“Weightlifting Fairy Kim Bok-joo”) and Kim Younger-kwang (“The Secret Lifetime of My Secretary”), isn’t simply fascinating for its emotionally susceptible actors and postcard-pretty setting.

Greater than its eye-candy attraction, the Disney+ present—which is able to drop Episodes 13 and 14 this week—owes its crowd-pleasing lure to the best way it eschews the “pa-kwela” strategy of most rom-coms for one thing extra thought-provoking and fewer skin-deep.

In truth, the central themes of this unlikely love story will rapidly shake viewers out of their apathy as a result of they discover the grey areas of revenge and romantic attraction.

Within the sequence, Sim Woo-joo’s (Sung-kyoung) state of affairs goes from dangerous to worse when her two-timing father unexpectedly dies, and his mistress Hee-ja (Nam Gi-ae) kicks Woo-joo and her two siblings (Kim Ye-won, Jang Sung-bum) out of the household residence. Fortunately, coworker Yoon-jun (Sung Joon) involves Woo-joo’s rescue.

However when she decides to take her wrath on Hee-ja’s lonely son, Han Dong-jin (Younger-kwang), who’s now her boss, Woo-joo doesn’t rely on falling for the dashing however perpetually brooding bachelor. She quickly realizes that Dong-jin continues to be reeling from the infidelity of his girlfriend Min-young (Ahn Hee-yeon), who broke up with him after seven years.

As her vengeful plans get underway, life throws Woo-joo one other spanner within the works: Is she falling in love with the son of the girl who ruined her life?

With love slowly diminishing the influence of her want for revenge, we then see Woo-joo’s world unfurl into confounding complexity and romantic ambiguity.

It’s a posh state of affairs that definitely offers the “Name It Love” solid one thing to play with. Devoid of cornball contrivances, the present’s narrative development builds to a pure crescendo, avoiding an onslaught of overwrought scenes alongside the best way.

Sung-kyoung (left) and Young-kwang

Sung-kyoung (left) and Younger-kwang

 

Director Lee’s imaginative and prescient

However, as he defined on the Disney Content material Showcase (DCS) that Inquirer Leisure attended in Singapore final yr, there’s good purpose behind director Lee Kwang-young’s slow-paced storytelling strategy to Dong-jin and Woo-joo’s shared journey.

“Reasonably than a story about love at first sight with specific occasions driving it ahead, this can be a very slow-paced story, the place the characters are capable of take their time creating emotions for one another,” the director defined. “The sequence doesn’t characteristic numerous dramatic occasions, however fairly, it’s a romance about two folks slowly changing into part of one another’s life and realizing that what they’re feeling is love.”

In a separate interview, Kwang-young was requested what he thought units “Name It Love” other than different romance exhibits.

He mentioned, “This manufacturing focuses not solely on loving and being beloved, but additionally on how one’s life is modified by such love. And love on this present doesn’t essentially need to be romantic. It might be love between mates, household or any type of bond.

“Whereas a bond can typically crush on you, it additionally helps you face up to hardships in life. I wished to speak about these sorts of relationships on this present, hoping that its characters would take a step ahead of their respective lives due to love.”

Requested what it was like for Younger-kwang and Sung-kyoung to work with one another, the previous mentioned that his costar helped him immerse himself absolutely into his character.

“Sung-kyoung and I often joke round lots,” Younger-kwang disclosed. “However working together with her on this venture, I noticed numerous facets of her as an actress that I didn’t learn about—from the best way she talks to the physique language, I may perceive why Dong-jin would fall in love with Woo-joo.”

Shattering assumptions

For her half, Sung-kyoung mentioned she was impressed by the best way Younger-kwang utterly remodeled himself into the lonely CEO he was tasked to carry to life. “He shattered all of my assumptions about this character,” the actress mentioned. “I felt as if I used to be seeing Han Dong-jin coming to life proper earlier than my eyes. “Actors typically have to bear a sure course of to get into their character firstly of manufacturing, however Younger-kwang’s efficiency helped me a lot that I didn’t significantly want that course of. I additionally realized that he places an immense quantity of thought into each single element of a scene and cares deeply about it. I realized a lot from him.”

Talking of the display chemistry that made sparks fly between them onscreen, the 2 actors defined why it was straightforward for them to fall in love with one another whereas they had been in character.

“For starters, the present created an surroundings that helped me keep in character as Woo-joo,” Sung-kyoung mentioned. “Everybody made positive that the set was prepared in a manner that we didn’t need to care about something however our efficiency.

“Each time our eyes would meet or after we had been merely in the identical house feeling the identical temper, my coronary heart would all the time type these emotions towards Dong-jin. I may undoubtedly keep in character higher. This venture was barely extra particular in that sense.”

Younger-kwang agreed, “I undoubtedly felt one thing much like what Sung-kyoung described. As I bought to know Woo-joo extra and have become nearer to her, I may really feel that we had been utterly in character and had moments after we had been really in love with one another. Trying again, I believe we managed to remain in character till the filming was over.”

How do they let go of their characters after filming a venture and get again to their regular selves?

“I haven’t actually had lengthy breaks between tasks,” Younger-kwang identified. “I have a tendency to complete a venture, then nearly instantly transfer onto getting ready for the following one. So, I naturally let it cross. I don’t have a specific manner of stepping out of character. As I get extra immersed into a brand new character, the previous one slips out of me with out me intentionally making an attempt to let it go.”

It’s a bit of completely different in Sung-kyoung’s case, she mentioned, “I all the time take a solo journey after finishing a venture. I like the stress-free time for myself when travelling alone. I’m engaged on my third venture in a row with out taking a correct break, and I truly really feel unhappy — as a result of I needed to let go of this character that I fell in love with, so I may let the following character in.

“However Younger-kwang is correct. If you work on a brand new venture, you naturally have to let go of your final character so as to get adjusted to the brand new one. Typically, for me, I take time for myself to relaxation and hang around with the opposite solid members and administrators to recollect the moments we shared, which helps me get out of my character progressively.”

Sung-kyoung has performed many perky, cheerful roles in rom-coms. Why did the director select her to painting Woo-joo?

“There are numerous scenes within the script the place Woo-joo couldn’t maintain again what she wished to say. She doesn’t rise up for herself, however she would rise up for the individual she likes with out worry,” Kwang-young defined. “I hoped this aspect of her wouldn’t look vile however fairly charming. When her innately cheerful vibe was met with these blunt phrases, it created a very new mix. Sung-kyoung delivered past my expectations.

“Along with her astute dealing with, we see Woo-joo taking a step ahead, shifting slowly away from her seeming indifference, and breaking down her partitions with Dong-jin… and Sung-kyoung does an ideal job of bringing that course of to life.”

What’s the principle message the present desires to impart?

The director answered, “Dwelling a life comes with emotional scars and moments of loneliness. Regardless of being so, we stay on. I wished to inform the viewers, myself included, that that is how all of us proceed to stay.

“When Woo-joo’s path crosses Dong-jin’s, they begin taking a step ahead. I hope this movie helps others take a step ahead regardless of their very own emotional scars.”



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