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Certainly one of many wildest and most potent movies in Yoon’s catalog, at the least of these nonetheless accessible to look at, “A Shaman’s Story” is an unsparing have a look at the spiritual conflicts that led to Korea turning into one of many major international dominions of evangelical Christianity.
Yoon was usually solid as naive idealists, dreamy naifs, and lonely optimists, however she received to indicate off a totally completely different facet of her vary with Mo-Hwa, the ferocious, offended, and completely self-possessed girl on the middle of “A Shaman’s Story.” Mo-Hwa is the highly effective shaman of a rural fishing village whose son, despatched off on a Buddhist retreat, returns house a transformed Christian. He was efficiently evangelized on the street after escaping the retreat, and has come to the village to unfold the gospel. This attracts him right into a battle together with his mom so deep it feels primordial: the brand new vs. the outdated, the colonizer vs. the indigenous, the pure world vs. the fabric world.
The 1972 movie culminates in what can solely be described as an exorcism competitors: Mo-Hwa versus her son, the individualism of the messiah and the group of shamanism in a head-on battle that Yoon enacts with supreme agony and indignation. You may watch it right here on Youtube.
Yoon Jeong-hee’s distinct mixture of vulnerability, poise, aloofness, and power meet no match in our up to date second. Her presence might be vastly missed. Let’s give Yoon’s character Mija in “Poetry” the parting phrases — from her poem “Agnes’ Track”:
“Will time cross and roses fade?
Now it is time to say goodbye
Just like the wind that lingers after which goes,
similar to shadows.”
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