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Picture by way of HBO / Twitter / @theweeknd
HBO drama The Idol, from the minds of Canadian singer and songwriter Abel “The Weeknd” Tesfaye, and Euphoria showrunner Sam Levinson is but to see any time within the solar however has already drawn its justifiable share of controversy.
After a number of shakeups pertaining to the present’s management in addition to its contents, it’s nonetheless slated for a launch someday this yr, however it’s rumored to be in search of a a lot grander entrance past a easy drop on HBO Max, by the use of a debut on the Cannes Movie Competition, in response to Selection.
Whereas the massive competition has specialised in characteristic movies since its inception, it’s not remarkable for tv exhibits to debut there as properly, with such privileges having gone to the likes of Twin Peaks: The Return and Prime of the Lake: China Doll.
It could seem that an alarmingly unfazed Abel Tesfaye and his HBO backers wish to actually make a press release with The Idol, regardless of studies from solid and crew members concerned with the present about its shift from being a present a few girl’s perspective on scuffling with fame and fortune and right into a “rape fantasy.”
The report additionally detailed the exit of The Idol’s former showrunner Amy Seimetz (who was reportedly all the time doomed to fail with an unfinished script), and the overall chaos and disorganization of the present’s manufacturing, resulting in unhealthy working circumstances and hours.
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